LONDON Glen Tetley was born in 1926 and to mark his centenary, The Royal Ballet have revived one of his most important works, Pierrot Lunaire (1962). It was a popular work in Ballet Rambert’s repertoire and a personal success for Christopher Bruce who was the principal coach for this revival.

Rouben Ter-Arutunian’s set of a skeletal scaffolding is the perfect home for Pierrot who seems only loosely tethered to the earth. The dreamlike opening sees him swinging on the topmost bar, gazing at the moon, the epitome of gentle vulnerability. Joshua Junker, in the title role is well versed in contemporary and ballet and equally at ease in acrobatics.

Glen Tetley balances the three stereotypes of commedia dell’arte iconography with skill although the subject and male/ female type casting are uncomfortable for modern tastes. Natalia Osipova is a treat as the saucy, shapeshifting Columbine. She taunts the hapless Pierrot who is out of his depth against her feminine wiles. She leads him on offering a hand to kiss, but when he touches her breasts, she slaps his face. Osipova has proven credentials as a fine comedic actress. In this role she has so much charm you cannot dislike the character but wish only to reform her – just a little!

Patricio Revé, takes on the role of Brighella with flourish. He enjoys his image as the strong man, admired by Columbine and shows a sadistic dislike for Pierrot’s acquiescence. Revé excelled in the bravura took to the heights, climbing with relaxed ease.

Pierrot’s sweetness would seem to offer a protective armour. When Brighella taunts him with his toy sword and the pair shackle him hand and foot to play him like their puppet, Pierrot accepts the situation. He appears resigned, accepting his fate as bitter experience that must be endured. He puts up little resistance when they take has clothes but in the final moment as the three sit atop the scaffolding, Pierrot cradling Columbine and Brighella on his bare chest there is a question as to whose spirit is stronger for the experience.

Arnold Schoenberg’s setting of selected poems from Albert Giraud's Pierrot Lunaire cycle is one of his most celebrated works but far from easy listening especially the harsh timbre and slides in the vocal line. However soprano, Alexandra Lowe, gave a spirited performance with the Pierrot ensemble under conductor, Yi Wei.

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